

Ever wonder what goes through the artist's mind? Why she paints and creates? What her process is? Here you will see it all. Pet portraits, landscapes, still life and figurative work. I will show you what I am working on, explain the process and the motivation behind my work. Some works will be successful and others will not. Some will be completed in one day, others may take weeks, months or years. Welcome to Soulful Studios and the art from the heart and soul of Lori Levin.




"The Freshman"
20x30
oil on canvas
Thoroughbreds bred for the racetrack are often turned out in a field after they are weaned until about two years old. They usually do not receive too much handling during this time as people are waiting to see how they mature. Generally they can be rough looking with oversized halters and wild manes and tales. However, an individual that knows horses can take one look at them and see who may have the potential to be athletic, based on conformation and even the look in their eye. You may be reading this thinking a snap judgment like that could be wrong. This is true but don't we all tend to do that with each other?
"Tuesday Afternoon"
"Window Seat"sketch in moleskine
"Leftovers"sketch in moleskine
"When Rain Doesn't Matter"
sketch in moleskine
Often I'm asked how long I spend sketching and why do not all things in my sketchbook turn into paintings. The answer is both simple and complicated. So here's my best effort at an explanation.
I set out to do at least 2 sketches a week in my book and each takes about 45 minutes once I settle on a location and a composition. Sometimes I do more and sometimes less. I can tell you that when I do less my work suffers and I have a feeling of disconnect. My sketches are the medicine for the ills of my art or a vitamin that supplies what I'm not getting in my regular art diet.
That brings me to why not everything becomes a painting. Sketching is immediate. It requires my mind to quiet and to be very much in the moment. Without knowing it I often am getting an education in composition, value and use of line. If I spend enough time doing it, I no longer worry if a sketch will come out good or "ruin my book". The law of averages will make the book appear to be pleasing to the eye. Also, without trying I will work out stale compositions and come up with new ways of looking at things. I notice my studio work becomes more decisive and less timid the more time I spend with my moleskine.
Yes, this was what the professors in college tried to teach us. I had many sketchbooks then but never kept them faithfully. I was always just looking for the means to an end. It often felt like an hour I couldn't afford to spare. Now I feel as I cannot afford not to spend an hour connecting with my pencil. Again a sign I have grown up a little. The funny thing is, sketching is play. Maybe I've figured out how to be a child again? I believe it is something even better.
One last note, CORZINE WHAT ARE YOU THINKING CLOSING THE PARKS?
"Tennis Ball or Dog Toy"
"Oberlin"graphite sketch in Moleskine
graphite sketch in Moleskine
I'm busy working in the studio on some new horse paintings and finishing up framing and one little plein air piece for the next First Impressions Gallery show. My next post will include details of that. I've noticed that I am behind on blog posts, so I thought I would show you some the sketches in my moleskine sketch book.
These sketches are a good indication of what is going on in my mind and life at the time. The above images are from a few weeks ago and I see that they are somewhat careful and polite. I have more sketches to post that are darker, bolder and more graphic. This doesn't mean that they are better than what I display here but rather they mimic my attitude.
I'm feeling bolder about my art. Somehow my vision is clearer. Only the work I do will prove that so I don't want to say much more. However, I notice a strange relationship building with my car. I do some of my best work in there. All of my sketches of late have been created in my car as well as another plein air piece that you have not seen as of yet. I'm starting to wonder if I should just keep my paints in there at all times as that is where they end up anyway.
Now I wonder, should I call it painting in plein air when it is done in an automobile?

Above:
" Morning View by the River"
"Good Stick Good Dog"
"Morning at the River"
"Cloverside Farm"




"Mare and Foal" (private commission)

"Penn Beach at Noon"




Gray Day Gulls
Red-Tailed Hawk
"Baxter"Pardon the title of this post. It rhymes doesn't it? Oh, humor me, ok! Maybe I should have titled it "Pug Alert" because you either love or hate these dogs. There is no in between.
This is a last minute Christmas commission. Not only was this piece created with a major time crunch but the photographs sent were the worst I've ever received. I'm not lying when I say I prayed for guidance the entire time I worked on the dog portrait. Maybe God likes pugs because I believe I had divine assistance in this one. Perhaps I will re-title this blog "Making Something Out of Nothing with God".
As I've said, this year I compare every holiday to that of last year. I clearly remember how I felt and looked last Christmas Eve. It wasn't good. This year, if I'm feeling ill it will be because of too much food and drink and that is likely to happen. I can't begin to tell you how choked up I get thinking about how sweet this year is. It is a feeling like no other. Bittersweet. Just the way I like my chocolate.
Santa, please bring me commissions with good photographs. That's all I want for Christmas. I have my two front teeth and so much more.
Merry Christmas and Happy Holidays everyone! Enjoy!
"Neptune"
"Dandy"




"Leo"